![]() ![]() The second set begins with Don’t Ease Me In. It appears there may have been another source patched in at this moment, since the hiss increases and the speed changes a little after this point – perhaps another cassette generation. ![]() Luckily, Garcia’s guitar is a bit louder in Severson’s recording, which centers the guitar sound more and makes the levels better.Ĥ) About a twenty second portion of Drums>Space in the SBD was repeated, which was removed. Garcia’s guitar shifts around in the channels, is sort of low in the levels, and is more prominent in the right channel for the earlier portion of the show. ![]() Good AUD banter.ģ) Some fluctuations in the SBD mix during Half-Step. The left channel is low for part of the second Tuning track. A brief dropout near the end of Playing.Ģ) A couple small cuts in the AUD between songs. Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)ġ) Cuts in the SBD between songs. Thank you to Charlie Miller for the SBD transfer,Īnd to David Minches for the AUD transfer. Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding Transfer and FLAC encoding by David Minches: Recorded by Mark Severson 2 Sony ECM-270s on pole 35′ from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Jones for his help with the pitch correction Mississippi Half-Step Uptown Toodeloo (0:00 – 0:19) SBD -> Cassette Master -> Cassette -> PCM -> AIFFĪIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLACĪll Transfers and Mastering By Charlie 28, 2008 ![]()
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